It seems to me that many months have passed since my return from Europe,
so Prague and Vienna begin to merge in my memory. Without looking at my notes,
the first thing I remember about Prague is its surfeit of cobblestone. Stretching
to eternity beneath renovated buildings, these stone walks of two-inch cubes
form into designs that sometimes move under clumsy feet and tipsy minds. Groups
of men always hammer them into the ground one after the other. These groups
repair and replace old stones with new, black, white, and grey.
They – the men and their stones, the minute and numerous garbage trucks –
keep the city pristine. They all ensure that Prague remains worthy of being
seen by eyes the world over. Conscientious strollers dress quite fashionably; they
put us all to shame. Yet, the shopping is cheap because of reluctance regarding
the conversion from crown to euro. Restaurants, etc. near and around Old Town
Square make practice of scamming tourists and chase them away to Vienna, I
suppose, where music fills the streets.
On the popular streets of Vienna, quartets count time and hearken back
to another age when musical giants gravitated to the city. Mozart, Beethoven,
Schubert, and Strauss are paid homage by men clad in 18th-century garb.
They gesture and prompt ticket sales to upcoming performances at the Vienna
State Opera House. They speak German and English while they extend pamphlets to
diverse bands of people dispersing and assembling around musicians and cafés.
Warm with wine, we
hop from this café to that. We eat cake and visit Haus der Musik, the museum of
sound and music where science and history nestle into its floors. On the big
screen of the interactive installation at the peak, the Vienna Philharmonic
applauds the successes or jeers at the failures of baton-wielding conductors.
We experts follow the rhythm of The Blue
Danube and a myriad other classical works.
Footless on the Charles Bridge but ready for rain in Prague
Fin